SIGMA FF Classic Prime Line and Updated High-Speed Primes

SIGMA “FF Classic Prime Line”

Image credit: cinema5D

The new SIGMA “FF Classic Prime Line”, although it is based on the same glass, differs quite a bit from their “FF High Speed Prime Line”. While the HS primes are going for sharpness, speed, and control, the “Classic” line seems to be open to a more free and open way of expression, allowing for the creative use of flaring and ghosting, in a way that looks rather vintage and yet not soft or inconsistent. SIGMA’s promo video, included in our previous report on these lenses, nicely illustrates these characteristics. The downside of the vintage characteristics of the SIGMA “FF Classic Prime Line” is the slightly lower speed: where the HS primes mostly come in at T1.5, with the outer limits of the focal range, the 14mm and 135mm being slightly slower at T2.0, the “FF Classic Prime Line” is a full T-stop slower at T2.5, again with the 14mm and 135mm coming in at a slower T3.2.

The SIGMA “FF Classic Prime Line” is available only as a full set of 10 lenses, which means it is highly likely that theses lenses are primarily aimed at rental houses.

Image credit: cinema5D

SIGMA “FF High Speed Prime Line” PL mount update

The SIGMA “FF High Speed Prime Line” is being updated with PL mount versions of their previously available EF- and E-mount lenses. Included are the same 10 lenses ranging from 14mm to 135mm, at T1.5 (except for the 14mm and 135mm at T2.0). The coating on the lenses has also been refreshed to be more durable and thus able to help your lenses stand the test of time a little better.

Cooke /i Technology included

Both the SIGMA “FF High Speed Prime Line” as well as the SIGMA “FF Classic Prime Line” have Cooke’s /i Technology (the “i” stands for “intelligent”) included into their PL mounts. This technology enables digital and film cameras to record important camera and lens data for every frame up to 285fps, synced to timecode, such as focal length, focus distance, f-stop, and frame rate. Among the cameras able to utilize this are the ARRI Alexa & LF, RED, SI 2K, Sony Venice, F55, F5, F65, F35, F3 and more.
The applications for this technology are manifold:

Continuous remote readout: in conjunction with Cooke’s /i Lens Display Unit focus pullers will be able to use continuous remote readout to more reliably pull focus in difficult situations, relying on actual measurements instead of just their eyes

Metadata: VFX teams will greatly benefit from the extensive metadata created for each shot, making it easier to calibrate the DI and create more natural-looking 3D models for shots using both actual actors as well as CGI

Software integration: additionally the continuous remote readout can be integrated with software allowing for sheer endless modes and possibilities of manipulation

SIGMA is really entering the big leagues here. The new “Classic” line and the updated PL mounts with Cooke’s /i Technology are pushing SIGMA’s already impressive cine lineup to new heights, allowing for use in the highest budget productions out there, while still retaining the moderately priced DNA that got them started in the world of cine primes.

What do you think about SIGMA’s new cine prime lines? Are you excited to test them, or use them in your next production? Let us know in the comments!