FUJIFILM GFX ETERNA Development Update – Open Gate and Dual ISO Disclosed
February 27th, 202520
FUJIFILM continues to disclose the capabilities of their new upcoming large-format cinema camera, and this time, we had a chance to talk to Yuji Igarashi-san and Makoto Oishi-san about what to expect with the development of the FUJIFILM GFX ETERNA. Additional information will be shared with the filming community closer to April (NAB). Still, we are happy to report that the camera will have a dual ISO sensitivity (800-3200) next to supporting open-gate filming in 4K mode.
The end of February brings beautiful weather and blue skies to Yokohama, where CP+ is taking place. But we won’t really have the opportunity to enjoy it as we spend most of our time storming the show floor, cherry-picking the information worth sharing with you guys. One story that we were eager to learn more about is how the development of the FUJIFILM GFX ETERNA is proceeding. The camera was originally announced in November 2024 at InterBee, but now, three months later, we want to hear more. So, in a nutshell, here is what we have gathered:
Next to the usual 16×9 recording option, the camera will have a true 4K open-gate recording mode. This differs from the mode found in the GFX100 II as it will cover the entire 4×3 sensor. Next, it is dual ISO recording in either 800 or 3200. Working with either ISO value will ensure the highest possible dynamic range.
Next was a little surprise. The camera will have a 5-inch touchscreen monitor as part of the package. According to FUJIFILM, the monitor is being developed and produced internally. A dedicated EVF is also being considered, but we are only guessing.
In this interview, we discussed the rolling shutter performance of the camera, and it seems as if at 4K 16×9, 15ms will be achieved (similar to the GFX100 II).
The next opportunity to discuss this camera will be at NAB in April.
What are your expectations from the FUJIFILM GFX ETERNA camera? Please share your thoughts with us in the comment section below.
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