B&H Deals – Big Discounts on DJI Mini 3 Pro Drone Canon EOS R5 C and Much More

The Z7 II Mirrorless Camera, Backpack & Memory Card Kit from B&H features the 45.7MP, UHD 4K60 camera and includes a backpack and memory card. Eligible for an optional ProRes RAW upgrade, enabling the camera to output ProRes RAW footage to a compatible Atomos external recorder. This upgrade provides greater color grading flexibility with the ProRes codec along with the ability to output uncompressed 12-bit raw footage over HDMI

The Panasonic Lumix G85 Mirrorless Camera with 12-60mm Lens and Accessories Kit from B&H includes the camera and lens bundle, a memory card, and a camera bag. Designed for video and stills shooters alike, the Lumix DMC-G85 from Panasonic is a versatile Micro Four Thirds camera characterized by its quick performance, flexible photo capabilities, and UHD 4K video recording (3840 x 2160) with either 30p or 24p frames rates at 100 Mbps. Full HD 1080p/60 is also supported at 28 Mbps in the MP4 format, along with HD recording and Full HD in AVCHD.

The Canon EOS R5 C is a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. 

Cinema RAW Light in 8K is nice for post-production grading and archiving, or MP4, which is optimized for faster online use. 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly developed Cinema RAW Light modes (High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs. Lighter, smaller proxy video files can also be recorded while shooting 8K.

The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K30. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.

Here is a FUJIFILM X-H2S with a pair of cinema-focused zooms: the MKX 18-55mm T2.9 and MKX50-135mm T2.9. The lenses offer a

wide range of coverage, from 24-84mm and 76-206mm, respectively, and provide consistent performance thanks to a constant T2.9

aperture. Both lenses are lightweight and feature geared manual rings for precise control over focus, zoom, and aperture. The X-H2S

has a well-rounded recording system that places this camera squarely in the ‘hybrid’ category and performs equally well for video as it

does for video. Internal 4:2:2 10-bit recording is possible in both DCI/UHD 4K at up to 120p and Full HD at up to 240p as well as an

open-gate 3:2 6.2K setting that’s suitable for anamorphic applications. A variety of codecs are supported as well, including H.265 and

three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Also, continuous recording times up

to 90 minutes are possible at all frame rates and resolutions. Using the full-size HDMI port, raw video recording is possible when paired

with a compatible external recorder. Both ProRes RAW and Blackmagic RAW recording is possible, along with the ability to work with F-

Log or F-Log 2 profiles, and either format supports working in resolutions up to the open-gate 6.2K.

With the black TASCAM DR-10L Micro Portable Audio Recorder with Lavalier Microphone, you can record full-resolution dialog and speech while skipping the trouble of long cable runs and avoiding the confusion of configuring a wireless microphone system. Whether you use the included omnidirectional lavalier mic or connect your preferred lav to the Sennheiser-compatible mic input, the entire setup can be discreetly affixed to your sound source.